Hello!
My name is Elizabeth, and as Michael mentioned in his introduction, I am the new Music Catalog Librarian at NIU. I work with the sheet music and audio recordings that Michael Duffy receives for the Music Library by adding the information to the online library catalog.
I love my job because I get to work with music every day. I always learn something new, or see something exciting, or find a new composer whose music I end up loving. However, some days are extra special because I get to see something really spectacular.
Like many of you, I took many music theory, form and analysis, and music history courses and learned about the more important works in the Western music canon. As interesting as listening, analyzing, and learning about those pieces was, there’s something special about seeing a composition in the composer's hand that makes the history and theory behind it come alive.
The Music Library at Northern Illinois University has recently acquired a facsimile of a manuscript of Richard Wagner’s manuscript of his opera Tristan und Isolde (1865), which means that we now have a copy of the finished score in Wagner's hand.
When I received it and opened it, I was astonished. In my mind I could hear the beginning of the famous overture (with that infamous non-resolving suspension), and see Wagner's effort as he created one of the most significant operas in Western music history.
Because I'm a soprano, I also had to immediately find Isolde's famous Liebestod, the start of where that unresolved suspension finally receives resolution (it resolves at "In des Welt-Atems wehendem All," when Isolde dies and the ill-fated lovers can finally attain peace). To see the exact spot where the orchestra fades into the background and Isolde begins singing "Mild und leise" gave me chills, and it's one of the many reasons why I can't imagine a better job than the one I have.
The Tristan und Isolde facsimile manuscript score can't be taken out of the Music Library, but it can be viewed anytime the library is open (the call no. is ML96.5.W346 T7 2012). Stop by and see this remarkable work, or any of the other fascinating manuscripts that NIU has acquired!
Showing posts with label facsimiles. Show all posts
Showing posts with label facsimiles. Show all posts
Sunday, July 21, 2013
Thursday, June 30, 2011
Manuscript Facsimile
The Music Library acquired another manuscript facsimile. This one is an edition of Felix Mendelssohn's Overture to A Midsummer Night's Dream, op. 21. It will be kept in the Music Library reference collection.
Mendelssohn-Bartholdy, Felix. Ein Sommernachtstraum Ouvertüre, op. 21: Autograph, Biblioteka Jagiellońska Kraków. Commentary by Friedhelm Krummacher. Bärenreiter Facsimile. Documenta Musicologica, 2. Reihe, Bd. 41. Kassel: Bärenreiter, 2009. Call no. MUR ML96.5.M463 S6 2009.
Tuesday, May 24, 2011
Manuscript Facsimiles
The Music Library recently acquired two manuscript facsimiles (J. S. Bach's B minor Mass and Handel's Messiah). These will be housed in the Music Library reference collection.
Bach, Johann Sebastian. Messe in h-Moll, BWV 232, with Sanctus in D-dur (1724) BWV 232III: Autograph, Staatsbibliothek zu Berlin, Preussischer Kulturbesitz. Commentary by Christoph Wolff. Bärenreiter Facsimile. Faksimile-Reihe Bachscher Werke und Schriftstücke, n. F., Bd. 2. Documenta Musicologica, 2. Reihe, Bd. 35. Kassel: Bärenreiter, 2007. Call no. MUR ML96.5.B186 S.232 2007.
Händel, Georg Friedrich. Messiah, HWV 56: Autograph, The British Library, London. Commentary by Donald Burrows. Bärenreiter Facsimile. Documenta Musicologica, 2. Reihe, Bd. 40. Kassel: Bärenreiter, 2008. Call no. MUR ML96.5.H363 M4 2008.
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